Showing posts with label age regression. Show all posts
Showing posts with label age regression. Show all posts

Thursday, January 12, 2023

Glory's end near!

So, we've finally gotten round to devising a Looney Tunes-style ending for Maroon Cartoons (featuring Glory's white cotton panties, of course). Instead of Porky stuttering out his famous line, we have Glory's best side filling the screen with the words "The End" superimposed over her plump, ripe bottom:


Tuesday, January 3, 2023

The Lost Episode

Yes, the missing episode from the 1946 Glory Bee series has finally turned up and is currently undergoing restoration. In this ten minute short, the last day of school ends with a good, smart spanking on the buns when our mischeivous heroine is called up to "The Seat of Learning!" Here's a screencap from the opening sequence featuring Glory's white cotton panties at center stage:

Actually, we're still working on this one; have to put the spotlight in the background, but thought we'd give you a sneak preview all the same.

Tuesday, December 27, 2022

Gloire Soit!

Today, we have some screencaps from the old Glory Bee cartoons of the 1940s. According to Mark Donstein's Toonapedia, the animated shorts of the postwar period were collected and restored by Le Cine Achive De Paris and released in a DVD Boxed Set in 2006 (proving that French preservation societies treat animated material with far greater respect than their American counterparts). However, as the Glory Bee Collection is only available in Europe, screencaps from the series are virtually unknown in America.

Title Card





Saturday, December 24, 2022

Glory and Kitty (AI Version)

 Different Dimension wasn't quite sure what to make of this Glory Bea cartoon:


 But it still gave us a nice winter-themed "postcard" to see the year out:


Merry Christmas, one and all.

Thursday, June 2, 2022

The Wages of Sin



  

...are a nice, long spanking on the panties (needless to say, the debt seems to have been paid in full). Despite the low resolution and amateur production values, the performances are surprisingly naturalistic; both actors 'sell' their roles as angry parent and remorseful daughter to near-perfection.